About the Project

About the IACC

indigenous arts collective of canada, indigenous arts, first nations, native american, artists

Indigenous Arts Collective of Canada

A Canada Incorporated Not-for-profit Corporation

Founded 2012. Corporation Number: 9469869

Heritage Canada Designation as a National Arts Service Organization,

Registered Charity #801401274 RR 0001

IACC Bylaws posted here.

Annual General Meeting:  Saturday, January 13, 2024 @ 1pm. To join: board@indigenousartscollective.org

Since it's inception, this has been a full time, volunteer position for all board members. No founder or board member has been renumerated for their work. All board members are numbered Indians under the outdated Indian Act. (Status Card Holders).

mission statement

In taking inspiration from the Haudenosaunee Seventh Generation Principle, Iehstoseranón:nha (Dawn), founded the Indigenous Arts Collective of Canada in 2012 to preserve and revitalize endangered Indigenous art forms and enrich lives through Indigenous arts and culture. 

 

In safe and inclusive spaces, through community based learning, the organization engages, [re]connects and empowers Indigenous women by promoting the transfer and conservation of cultural knowledge; securing the capacity for the next seven generations to retain and cultivate intrinsic cultural connections and world views.

purpose statement

Through education and the arts, we are defiantly motivated to facilitate healing and reconciliation within our Indigenous communities and create informed opinions of our culture in Canadian society as a whole.

As recognized by the federal government by request of the Truth and Reconciliation Commission, there is significant inter-generational trauma within our First Nations, Métis and Inuit communities because of the legacy of the residential school system, mass apprehension of children from their parents and communities (coined \'60\'s Scoop\') and many other means of cultural assimilation.

This trauma affects affects our spiritual, physical, mental and emotional well being. This organization recognizes that in order to walk a good and productive path, we must be healthy in all four quadrants of the medicine wheel teachings.

For Indigenous people, art is the very soul of our spirituality. It's our every movement, dance and song - it is in every stroke of paint, every bead sewn, every feather placed.

We must continue to teach and protect this way of being. We have a responsibility to educate ourselves so that our children may be able to carry on our work.

Aboriginal Arts Collective of Canada, Pass The Feather, Ontario Arts Council, Indigenous Culture Fund, Indigenous Arts Conference, Indigenous Women's Arts Conference

Indigenous Arts Conference, Willis College, Aboriginal Arts Collective of Canada, vendors, porcupine quilling workshop

vision statement

From within and outside of our communities, we will create the spaces, provide the resources and facilitate communal approaches to the retention of cultural knowledge.

    • Spaces and Resources  •  We believe that access to quality programming, appropriate spaces and art resources will facilitate experiential education and compliment formal educational institutes. We also feel in that making these spaces available to non-Indigenous visitors, we are creating an educational environment that speaks to inter-cultural respect and co-admiration.

 

    • Pedagogy  •  Place-based education employs the entire community and allows youth to be grounded in their own culture with hands-on, project-based learning.

 

    • Reconciliation  •  This organization is committed to the reparation of inter-generational trauma and the empowerment of the next seven generations. It is imperative that we teach not only confidence in history and culture but also co-operative and respectful interrelations with our Canadian neighbours.

 

    • Protection and Safety for Women  •  Our board of directors is built by strong Indigenous women. We are aware that we are more likely to go missing, be murdered or be victims of violence. We are also aware that we are not as likely to be investigated as non-Indigenous victims of violence; crimes against us often go unnoticed or are not valued as worthy of investigation. There is often no justice. This organization reaches at risk women both on and off reserve and provides accessible, safe cultural activities.

 

This organization...

preserves and revitalizes Indigenous art forms and empowers artists in the following ways:

  • Increased economic stability through employment
  • Increased physical activity
  • Access to material resources
  • Access to community networking, connections to instructors/mentors/elders
  • Free marketing, advertising and publicity (artist directory, business branding, web and graphic design
  • Exhibition and sale venues in both Indigenous and non-Indigenous settings
  • Workshops, conferences (Indigenous Women's Arts Conference) and gatherings

 

Dawn Setford, Iehstoseranon:nha, pass the feather, feather keeper, smudge feathers, graphic design, web design

Dawn Setford

Iehstoseranón:nha (She Keeps/Protects the Feathers) Pronounced: Ya sto sah la nuhk hna

Named by Louise McDonald Herne, Rotiskarewa:ke, Akwesasne Kahsennahon:we, Tehanakari:ne, Midwinter 2023

English Birth Name (pre-adoption): Mary Francis

Post Adoption Renamed: Dawn Setford

Founder & President

Dawn is the founder of the Indigenous Arts Collective of Canada and owner at Pass The Feather.

Dawn is Akwesasronon (Akwesasne), Kanienkéha’ka (Mohawk), Wakhskaré:wake (Bear Clan),Feather Keeper/Protector and artist practicing and sharing bird medicines, web and graphic design and writing.

Dawn is the founder and full time volunteer of the Indigenous Arts Collective of Canada and artist at Pass The Feather.

Pass The Feather is a sole proprietorship and offers custom feather medicines, graphic and website design. Dawn is also a writer, graphic and web designer passionate about elevating Indigenous voices through websites, branding and marketing. Full bio on her personal website.

Her work as founder of the IACC spans over a decade and includes Indigenous Women's Arts Conference, Remember Me: National Day of Remembrance (1st ever National Day of Truth and Reconciliation), the construction of IndigenARTSY - a massive on line e-commerce website for IACC membership artists as well as all all original programming and day to day workings of the non profit organization. Dawn and the entire board of directors are volunteer and do not take any compensation for their work relating to board duties.

Over the years, Dawn has established important and meaningful relationships with Elders, artists, Indigenous women and organizations. She welcomes all to contribute, collaborate with and join her in her work to empower Indigenous women and protect endangered Indigenous art forms.

IACC board of directors, Lindsey Kirby McGregor
Lindsey Kirby McGregor, Dawn Iehstoseranon:nha, Shannon Graham

Dawn is pictured above in the black ribbon skirt alongside workshop participants, workshop facilitator Frankie Pasap, friend and former IACC director Talena Atfield and current co-director Jenny Sutherland.

Lindsey Kirby McGregor, Indigenous Artists, First Nations, Indigenous Arts Collective of Canada, Pass The Feather, Native Art, Native American Art, Indigenous Art

Lindsey Kirby McGregor

Director

mother | educator | change maker

Lindsey is a member of Whitefish River First Nation. She holds a Bachelor of Social Work (Indigenous Specialization) from the UVictoria, a Master of Education from UOttawa, and is beginning her MA studies with Professor Ruth Kane in January 2019.

Lindsey managed Indigenous programs at Willis College and she developed and taught an Indigenous Community Service Work Program that became accredited by the Indigenous Certification Board of Canada, as well as a three-week course in Indigenous Knowledge for the Helping Professions for Indigenous Personal Support Worker students.

Lindsey developed and coordinated two programs for Indigenous women through Minwaashin Lodge, including a program that trained 8 Indigenous women as literacy and basic skills tutors to work with clients at Oshki Kizis Lodge, a domestic violence shelter.

She has assisted with Circle of Care facilitation for families involved with the Children’s Aid Society through Wabano Center. She has lived and worked in Kuujjuaraapik, Kuujjuaq, and Kangirsujuaq, Nunavik in various community roles and has supported many Inuit students from Nunavut and Nunavik, to upgrade their skills as well as successfully complete college-level studies in the city of Ottawa. Most recently, she has been assisting in the evaluation of the Nunavik Teacher Education Programs offered by Kativik Ilisarniliriniq.

Lindsey is now acting Program Manager of Indigenous Relations for the City of Ottawa. The Indigenous Relations Office works alongside Indigenous and non-Indigenous partners to identify opportunities for systemic changes that improve access to programs and services and supports the City’s work to further reconciliation. Meet Lindsey at https://youtu.be/Hb1NcG63n74

 

indigenous arts collective of canada, indigenous arts, first nations, native american, artists

Brandy Bloxom

Director

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Bio coming soon!

indigenous arts collective of canada, indigenous arts, first nations, native american, artists

Bailey Bjarnason

Director

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Bio coming soon!

IACC employees wages are covered by Canada Council for the Arts, Long Term Projects grant.

employees | liasón

shannon-graham

Shannon Graham

Executive Assistant

advocate, ally, master organizer

Shannon is our new Executive Assistant. She joined IACC in July 2022 and has been a master organizer for our Parliament Hill National Day of Truth and Reconciliation and Indigenous Women’s Arts Conference.

Although Shannon is non-Indigenous, her drive to support others led her to pursue a degree in Social Work at Trent University. It was here that Shannon learned about the injustices and marginalization Indigenous women have and continue to face in Canada. This encouraged Shannon to seek out more knowledge and make connections with Indigenous professors and students in her academic career. Shannon is very grateful to be able to continue learning from the amazing women at IACC and is very fortunate to have the opportunity to use her degree to support an organization that uplifts Indigenous women and promotes the preservation of cultural knowledge and art forms.

1516559698210

Natasha Darling

Communications & Outreach Manager

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Bio coming soon!

Charrine Naziel-Lace, board of directors, pass the feather, aboriginal arts collective of canada

Charrine Lace

West Coast Liasón

Artist, Morricetown First Nation

artist

Charrine Naziel-Lace is a Northwest Coast Indian Arts and Crafts Professional, carver, and illustrator.

A member of the Moricetown First Nation in the Regional District of Bulkley Nechako, Charrine has 20 years of experience in the First Nations Art Industry. A graduate of the Ksan Carving School, BC and Gitanmaax (Kitanmax) School of Northwest Coast Indian Art, Charrine has built on old art traditions while studying in the styles and techniques of master carvers and artists. She is also a graduate of Cowansville Vocational Education Training Centre, Cowansville, QC where she became proficient in design and layout.

Works to her credit include the design of the Moricetown First Nations Flag and illustrations for the Wet\'suwet\'en Children\'s First Language book series, which included \"The Pink and Sockeye Salmon\", a story about bullying.

Charrine is owner of Wet'suwet'en Native Arts in Morricetown, B.C.  She is passionate about working in the Northwest Coast Indian style and is very excited to promote west coast art with our AACC programs.